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          Kunsthall i roma + romakurset
        
        
          Professor Erik Langdalen
        
        
          Throughout history Rome has been a place
        
        
          of transit for art works, from Egypt to Paris,
        
        
          Greece to London, Florence to New York.
        
        
          While galleries showcase a transient art
        
        
          market, and the modern museums must
        
        
          provide permanent spaces for a steadily
        
        
          increasing volume of canonised
        
        
          art, the Kunsthalle—established around
        
        
          1900—was conceived as a non-commercial
        
        
          space to show temporary exhibitions.
        
        
          The assignment is to design a Kunsthalle
        
        
          in the historical center of Rome, and give an
        
        
          architectonic response that reflects on the
        
        
          exhibition institution, historically and con-
        
        
          temporary. The projects are discussed on a
        
        
          conceptual level and concretised through
        
        
          architectural solutions emphasising spatial
        
        
          qualities and layout, materiality and con-
        
        
          struction.
        
        
          Architecture on Display
        
        
          Professors Mari Hvattum and
        
        
          Mari Lending
        
        
          
            Architecture on Display
          
        
        
          studies the intellec-
        
        
          tual and architectural background of three
        
        
          important public institutions in Oslo: Chris-
        
        
          tiania Penitentiary (1851), Gaustad Asylum
        
        
          (1855), and the National Gallery (1881), de-
        
        
          signed by architect H.E. Schirmer. Through
        
        
          archival research, literature studies, essay
        
        
          writing, model building and exhibition
        
        
          curation, we examine architecture as a
        
        
          cultural expression within the hypermoder-
        
        
          nity of 19th century Norway.
        
        
          Form, Theory and History