Associate Professor Steinar Killi and
        
        
          Professor Simon Clatworthy
        
        
          The Designer’s Century
        
        
          Steinar Killi and Simon Clatworthy
        
        
          In April 2013, Karl Otto Ellefsen, the Rector at AHO, asked on
        
        
          his blog whether we were ‘entering the designer’s century’.
        
        
          At the dawn of the Institute of Design’s 30th anniversary in
        
        
          the academic year 2013-2014, this is a question that it might
        
        
          ask itself as it contemplates its future. Over the past years we
        
        
          have seen the Design studies programme move from being just
        
        
          a traditional vocational course of study created for a steadily
        
        
          shrinking manufacturing industry, to a highly ambitious pro-
        
        
          gramme aimed at educating an ever expanding group of design
        
        
          professionals filled with the desire to shape the future in the
        
        
          broadest sense.
        
        
          Consequently, AHO’s Institute of Design (abbreviated IDE)
        
        
          has built a pedagogical model that fosters the drive among stu-
        
        
          dents and faculty to challenge the definition of design and to
        
        
          explore new directions. IDEwas one of the first to develop new
        
        
          courses, research areas, and technologies for designers. What
        
        
          the different pedagogical and research approaches pursued at
        
        
          the institute have in common is that they all converge under
        
        
          the umbrella of what we can call ‘design thinking’, a holistic
        
        
          approach where the objective is not simply to solve a problem,
        
        
          but to explore possibilities, and where methods and processes
        
        
          are more than mere tools.
        
        
          Design thinking is a misleading term because it involves as
        
        
          much designing as before. However, what makes it appealing is
        
        
          its combination of thinking and designing, as well as the issues
        
        
          it addresses. Common to both aspects is society’s search for
        
        
          innovation in all sectors, both public and private. Design at AHO
        
        
          has always been perceived through the prism of innovation.
        
        
          Design is about creating something new, but not simply that.
        
        
          What is created must have value – value for the user, for the
        
        
          company and for the wider society society. IDE has dropped the
        
        
          term Industrial Design because innovation has moved in new
        
        
          directions. We live in a digitalized society. Mentally, we can dis-