AHO WORKS STUDIES 2011-2012
        
        
          Studio-Based
        
        
          environment, a doctoral programme involving
        
        
          approximately 50 research fellows and three
        
        
          research institutes. About half  the studio
        
        
          courses are closely linked to research pro-
        
        
          grammes; the other half are linked to artistic
        
        
          and creative practice.
        
        
          Then there are profound differences. The
        
        
          design education at AHO seems to have a very
        
        
          unsentimental relation to its own history and
        
        
          inherited industrial identity, and is striving,
        
        
          very successfully, to be a part of the Norwe-
        
        
          gian systems for innovation. The Institute
        
        
          of Design has a rich portfolio of innovative
        
        
          research projects financed by the Norwegian
        
        
          Research Council and collaborates closely with
        
        
          industrial partners. Architecture, on the other
        
        
          hand, is very conscious about cultivating an
        
        
          established tradition and adapting established
        
        
          ways of working with current challenges. In
        
        
          my opinion, this is not opposed to a critical
        
        
          attitude. The school has grown an excellent,
        
        
          internationally speaking research environment
        
        
          within the theory and history of architecture.
        
        
          Today’s lack in relevant innovative work with
        
        
          real influence in architectural and building
        
        
          practices is met by strategies for knowledge
        
        
          development within the housing sector and
        
        
          urbanism.
        
        
          Directives issued by the EU and national au-
        
        
          thorities are most often aimed at quality con-
        
        
          trol and compatibility, but my impression is
        
        
          that schools of design and architecture are spe-
        
        
          cialising rather than standardising, ambitious-
        
        
          ly trying to define and refine their own profiles.
        
        
          This might be seen in the light of competition
        
        
          between supplier of education, but also as at-
        
        
          tempts to adjust to the needs of practice and to
        
        
          open up new fields for practice. An interesting
        
        
          study done a few years ago by the EAAE – an
        
        
          organisation networking European schools of
        
        
          architecture – looked into what knowledge or
        
        
          performative abilities employers were looking
        
        
          for in the newly educated. Traditional profes-
        
        
          sional skills were rated lower than expected.
        
        
          Creativity, an ability to think conceptually,
        
        
          skills in communication and teamwork, and an
        
        
          understanding of other disciplines and other
        
        
          fields of knowledge were extraordinarily high-
        
        
          ly appreciated.
        
        
          AHO adheres to the academy tradition in
        
        
          teaching. Organised in studios, learning is
        
        
          predicated on doing, synthesising knowledge
        
        
          in investigations and projects. The intention
        
        
          is try to treat each student individually and
        
        
          to maintain a resource situation that retains
        
        
          this as a possibility. A problem with the old
        
        
          master/apprentice studio model was that it
        
        
          had the both positive and negative potential
        
        
          of conserving old skills and knowledge. The
        
        
          transformation of the school into a research
        
        
          and investigative institution has renewed the
        
        
          studio as a platform for education.